- flawless operation with up to 384 kHz sampling frequency, thus perfectly suitable for high-resolution DSD post-production
- equal delay for every frequency, independent of filter settings, perfectly preserving the time relationship of harmonics in the original signal
- no phase distortions and therefore no signal dispersion and transient smearing
- no unwanted sound coloration; more clarity, transparency, and definition
- extended center frequency setup up to 80 kHz covering ultrasonic range in DSD applications
- 10 bands with five freely assignable parametric filter types: bell, low-shelf, high-shelf, low-cut, and high-cut
- adjustable Q-factor for shelving and cut filters
- extremely low-noise and low-distortion linear-phase filter algorithms
- possibility to overlap several low-cut and high-cut filters to get desired brick wall characteristics
- very low-noise and low-distortion oversampling technique for getting analog-like filter characteristics when working with low sampling frequencies: 44.1 and 48 kHz; clearly perceptible when equalizing higher frequencies
- extremely low noise and low nonlinear harmonic distortion
- resizable frequency-response display for high-precision adjustments
- parameter editing via numerical fields or directly on the graphical display
- automatic latency compensation (in Sequoia and Samplitude only)
- complete setup exchange among several simultaneously opened PlugIns
- all internal calculations with double floating-point accuracy (80 bits)
Experience the Difference!
Having the hardware Weiss Linear
Phase EQ1 Mk2 as the reference, I've never expected to hear any
other product, especially a software PlugIn, playing in the same
league, but the LinearPhase PEQ Orange became to be an indispensable
complement tool in our mastering suite.
