Features

• flawless operation with up to 384 kHz sampling rate, thus perfectly suitable for DSD post-production including cleaning in the ultrasonic range
• extraordinary sonic results compared to any other cleaning method, due to selective treatment of spectral representation of the signal and not its waveform
• audio fixes that were basically impossible until now
• enormous time saving in repairing critical live recordings
• easy-to-learn identification and localization of unwanted audio events
• efficient removal of unwanted disturbances and their replacement by signals re-synthesized from the surrounding audio material
• all processing functions in linear-phase domain to prevent unwanted sound coloration
• no audible changes in desired signal and ambience after removal of typical discrete audio disturbances
• different kinds of signal re-synthesis
• gain selective signal treatment similar to linear-phase equalizing function *
• replacement of a spectral region by the another one (copy & paste)
• automatic selection of harmonics belonging to a marked fundamental *
• automatic identification of clicks and spikes *
• automatic identification of tones and harmonics *
• extended resolution for low frequencies
• resizable and zoomable spectrogram window for sound repairing with surgical precision
• different schemes of spectrum representation including black & white for forensic purposes
• immediate playback of any audio part before and after processing
• multiple undo functions
• numerous shortcut functions for quicker workflow
• AlgoEdit™, an easy-to-use audio editor included *
• difference function when using AlgoEdit™; your hear what you've removed *
• multichannel capability (Pyramix and ProTools for PC/Mac OSX and only)
• all internal calculations in double floating-point accuracy (80 bits)

* currently only available in the PC version